Do you like the artist? Is the transcription accurate? Is it a good teaching tool? Explain exactly why you liked or disliked the product.You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students). You are only authorized to print the number of copies that you have purchased. PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.ĭigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. The aria may be an invaluable addition tothe repertoire of vocal teachers and students.It is available inthe key of A minor (C#4 – F5)for low voice. . It has been realized from the manuscript of the opera and arranged bySergei Pichugin for voice and piano. " Un certo non so che"is an aria from the opera " Arsilda, Regina di Ponto" (1716) by Antonio VIVALDI(1678 – 1741). Baroque, Concert, Instructional, Opera, Standards. Booth’s high coloratura sits marginally too high for the role and her coloratura became unruly under pressure, but the sheer audaciousness of her fiery “Qual guerriero” set the evening ablaze.Choral Choir (SSA) - Level 4 - Digital Download Composed by Antonio VIVALDI (1678 – 1741).
She also gets the opera’s most famous arias, “Sposa son disprezzata” (borrowed from Giacomelli´s Merope), presented here as a moment of cynicism rather than as the typical lament, and “Vedrò con mio diletto”, sung with a melting legato. Someone needs to cast her as Cleopatra immediately – I’ll be there in the front row! But it’s Claire Booth’s barnstorming Irene that ultimately walked away with the show, imperious and entitled as the power-hungry princess. Miskelly’s “Anche il mar” dazzled with her consistency of tone and confident coloratura. Soprano Aoife Miskelly possesses the most beautiful instrument in the cast, revealing an exquisite pearly soprano in her opening “Nasce rosa lusinghiera”. Similarly, the servant Idaspe is somewhat detached from the machinations of the plot, serving as both bystander and narrator.
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